Patek Philippe mailed me a nice blue booklet about its new Sky Moon Tourbillon. Its content is just stunning guys, so I extracted the text for you and posted some pictures of the watch.
What a nice weekend literature! I enjoyed reading the little blue booklet, that arrived on Friday, on the weekend telling the story of the new Sky Moon Tourbillon. Of course the watch per se is not new, but this stunning execution is. You all know that Patek Philippe presented its masterpiece Sky Moon Tourbillon already a couple of years ago.
Now the Geneva watchmaking superlative comes back in a very particular artisanal execution. One may like it or not, but in the end it´s still the legendary Sky Moon Tourbillon.
Reading through the booklet brought back to me the entire story about this timepiece and this story is just impressive.
Guys, I recommend you to take some time and enjoy this little presentation I have put together for you.
Unfortunately I cannot reprint the nice little blue Patek Philippe booklet for you, but I extracted the text and I found all the relevant pictures of the booklet on the press server.
Today Sunday in the evening I don´t even know the price of the watch, but I will find it out tomorrow morning on Monday when I can reach the press department in Geneva.
Meanwhile please enjoy the story of … The grand creation of a grand complication
During the 174 years since it was founded, Patek Philippe has demonstrated its expertise in the entire spectrum of horological complications. Impressive manifestations of this competence include the Calibre 89 presented in 1989. With 33 complications, it holds the world record as the most complicated portable mechanical watch. The Ref. 5002 Sky Moon Tourbillon is the manufacture’s most complicated wristwatch with 12 complications on two dials. Now, with the Ref. 6002, the Sky Moon Tourbillon has a successor that redefines the term grand complication – with a case and dial that require the utmost in craftsmanship and artistry.
As regards the movement, the new Ref. 6002 is largely identical with its predecessor. It possesses a minute repeater with two cathedral gongs and a tourbillon; on the front dial, it indicates standard time and features a perpetual calendar with a retrograde date and a moon-phase display. The rear dial sets the stage for astronomical functions: it shows the northern sky, sidereal time, and the angular progression and phases of the moon. Unlike the Ref. 5002, it indicates the moon phases instead of the moon age and features apertures instead of hands for the day of the week, month, and leap year displays.
The totally new aspect of the Sky Moon Tourbillon Ref. 6002 is its appearance, with lavish decorations that elevate it to the status of a grand creation. To refer to a case or a dial is almost a sacrilege in the context of the Ref. 6002. Sculpture would be the more fitting term for a genuine work of art like the Sky Moon Tourbillon. In particular, it showcases two artisanal skills: the art of the engraver and that of the enameler. Since the advent of Geneva’s watchmaking heritage in the late 16th century, both of these crafts have been inseparably allied with watchmaking.
Because the first portable timepieces of the epoch were still very inaccurate and had to be reset several times a day, they were primarily objects of prestige. That made it all the more important to endow them with precious materials and painstaking decorations as testimony to the influence and affluence of their owners. The invention of the balance spring toward the end of the 17th century marked the beginning of the era of precision timepieces that were also suitable for scientific measurements.
The Patek Philippe Sky Moon Tourbillon Ref. 6002 unites these two dimensions with incomparable poise: the precision of a tourbillon timekeeping instrument with the rate accuracy of a chronometer and the immaculate decorations that reflect the finest artisanal traditions of Geneva.
The Sky Moon Tourbillon Ref. 6002: a sculpture for the wrist
The case of the Ref. 6002 is a superb oeuvre carved from the massive white-gold blank entirely by hand. The eloquent ornaments, arabesque garlands, and gently curved elements of the Calatrava cross are produced with chip removal techniques using sharp burins that not only incise the precious metal but actually “lift” the decorations out of the gold surface. An involuntary movement or a brief moment of distraction would ruin the case and it would have to be re-melted. But the engraver not only molds the gold in bas-relief but also applies the chisel to sculpt life into the small surfaces between the three-dimensional structures. Thus, more than one hundred hours of work are invested until the engraving alone meets the approval of the master artisan and Patek Philippe’s President Thierry Stern. With the same precision and artistry, the engraver uses relief techniques to decorate the minute- repeater slide in the case flank, the two crowns, and the white-gold clasp that locks the strap. The ornaments of the two crowns are as informative as they are decorative: The dynamometric winding crown at 4 o’clock shows an arrow in relief to indicate the direction of rotation, while the moon and stars in relief on the crown at 2 o’clock reveal that it is intended to adjust sidereal time and the celestial functions on the rear dial.
An expressive face in champlevé and cloisonné enamel
The front dial of the Ref. 6002 is a work of art in its own right. Its small surface unites the skills of many specialists who master milling, applique setting, and – most spectacularly – enameling with the champlevé and cloisonné techniques.
The dial is crafted from a thin disk in gold that is milled out until the crisp railway track scale, the surrounds of the dial center, calendar apertures, and moon-phase display stand out in relief. This is followed by the work of the specialized champlevé enameler who fills the recesses around the relief contours with molten enamel by hand. The viscous mixture of vitreous powder, metal oxides for color, and oil is applied with an ultra-fine brush. Even the smallest bounded recesses are carefully filled with enamel. When all recesses have been uniformly filled, the miniature oeuvre is fired in the oven at 850° Celsius.
Conversely, the center of the dial is decorated with so-called cloisonné enamel. This technique involves shaping the contours of the blossoms and leaves using fine, flattened gold wire that must be affixed to the dial. The result of countless hours of painstaking work is numerous separate cells (cloisons) that are then filled with enamel of different shades of blue. Again, the next step is firing and fusing for eternity in an oven at about 850° Celsius.
While most contours in the form of silvery relief structures are embedded in blue enamel, the Roman hour numerals are gold appliques. Other dial elements such as the numerals and the markers of the retrograde calendar scale, the PATEK PHILIPPE GENEVE and TOURBILLON inscriptions, the movement number and the delicately pointed stars are painted bright gray.
The small lunar disk is another fine example of champlevé: the circumference of the moon is elaborated in relief and enclosed with blue enamel. The cratered landscape of the moon’s surface is emulated with gradations of white, gray, and black enamel. This represents a huge effort for a single dial element, but it certainly ranks among the most poetic complications imaginable. For a watch of the likes of the Sky Moon Tourbillon, no amount of work can be deemed unreasonable when the issue is to pay tribute to the movement that ticks beneath the phenomenal dial.
A highly complex masterpiece
In horological terms, the Ref. 6002 distinguishes itself only marginally from its predecessor. Even though the caliber RTO 27 QR SID LU CL is the Genevan manufacture’s most complicated wristwatch movement, its concept is to unite not as many as possible, but the most fascinating complications in the compact case of a wristwatch: a perpetual calendar with a retrograde date display, a minute repeater, a tourbillon, the display of sidereal time and a depiction of the nocturnal sky with the motion of the stars, the angular progression of the moon, and the moon phases. The analog displays for the day of the week, the leap year cycle, and the month have been replaced with aperture displays and the moon-age indication at 6 o’clock with a moon-phase display featuring the typical curved cutout that emphasizes the poetic personality of the watch.
Minute repeater with cathedral gongs
The minute repeater was and still is the pinnacle of horological artistry. During the past 25 years, Patek Philippe has devoted considerable attention to this complication, imbuing the hour, quarter-hour, and minute strikes with a new dimension in sonority. Thanks to a proprietary alloy developed explicitly for the gongs and the decades of experience accrued by Patek Philippe’s specialists, the sound of the strikes is pure, clear, and easily audible, even in the small case of a wristwatch. A practically inaudible centrifugal governor is responsible for the perfect rhythm of the strike sequence and suppresses the annoying background chatter that is typical of many minute repeaters. And not least, two extra-long cathedral gongs assure the remarkable richness and clarity of the sounds. They are nearly twice as long as ordinary gongs, so both of them must be coiled around the movement twice – a formidable challenge for the watchmaker. The relief-engraved slide that is used to actuate the minute repeater adds aesthetic charisma to the peerless acoustic experience.
The course of time with tourbillon accuracy
The minute repeater derives its timing information from a precision movement with a tourbillon that guarantees superb rate accuracy. The filigreed mechanism offsets rate deviations in vertical positions, rotates about its own axis once a minute, consists of 69 individual parts, and nonetheless weighs a scant 0.3 grams. The separate rate certificate that accompanies each Ref. 6002 verifies the impressive rate accuracy of the tourbillon-controlled Patek Philippe movement. Completely assembled and cased up, the caliber’s rate fluctuates by no more than -2 to +1 seconds per day.
The perpetual calendar with retrograde date
Patek Philippe perpetual calendars are legendary. This also applies to the Sky Moon Tourbillon Ref. 6002 and its perpetual calendar with the automatic retrograde date. Its hand points to the current date on a 240° arc from 8 to 4 o’clock. Every day, the date hand advances by one increment and at the end of the month, on the 28th, 29th, 30th, or 31st day automatically jumps back to the 1st day of the new month. This function is handled by a patented mechanism with a ratchet wheel and a pawl, which, in contrast to conventional solutions with cam disks, guarantees extremely precise hand alignment. The mechanism prevents the date hand from bouncing forward to the second or third day on the scale after it has jumped from the last day of the month to the first. It reliably stops on the first day and is held there.
Contrary to the Ref. 5002, the other indications of the perpetual calendar are displayed in apertures: the day of the week at 9 o’clock, the leap year cycle at 12 o’clock, the month at 3 o’clock, and the moon phases at 6 o’clock. Aperture displays are more complex to build and require more force than hand displays, but their advantage is faster and more convenient legibility.
Celestial pleasures on the back
The back dial of the Sky Moon Tourbillon Ref. 6002 presents a highly unusual spectacle on its rear dial. The night sky of the northern hemisphere rotates beneath a sapphire-crystal glass, depicting the angular motion of the stars and of the moon, the meridian passages of Sirius and of the moon, and the waxing and waning moon phases. Additionally, two hands from the center indicate sidereal time on a 24-hour scale. An elliptical contour surrounds the portion of the nocturnal sky that is visible from a specific location. These fascinating functions are handled by a highly unique, patented mechanical module. With this Sky-Moon mechanism, Patek Philippe has achieved a nearly incredible degree of precision in the astronomical depiction of the heavenly canopy.
A lunar day is defined by the time that elapses between two consecutive passages of the moon across a given meridian; on average, it lasts 24 hours, 50 minutes, and 28.328 seconds. One lunation (the period of time between two consecutive full moons) has an average duration of 29 days, 12 hours, 44 minutes, and 2.82 seconds. A sidereal day is defined as the time between two consecutive passages of a fixed star (such as Sirius) across a given meridian; its average duration is 23 hours, 56 minutes, and 4.09892 seconds. Sidereal time makes it possible to calculate the geographical longitude of a specific location.
To assure correct displays, these deviations from mean solar time require appropriate step-up and reduction gear ratios in the going train that transmits the force from the spring barrel to the individual astronomical indications. Some of these ratios rely on the accuracy of the moon-phase display versus the sidereal day, others on the accuracy of the sidereal day versus the orbital position of the moon, etc. Overall, more than 25 trillion (25,000,000,000,000) variations were calculated for the transmission ratio pairings of the going train. From this incredible number of ratios, Patek Philippe picked the optimal set that resulted in the smallest possible deviations for all displays. The outcome of the theoretical computations surpassed all expectations:
• The deviation for the lunar day is -0.05 seconds per day, -18.385 seconds per year, or -30 minutes and 38.5 seconds per century.
• For a sidereal day, the deviation is -0.088 seconds per day, -32.139 seconds per year, or -53 minutes and 33.9 seconds per century.
• For the moon phases, it is -6.51 seconds per lunation.
Of course, as all my pictures, you can also enlarge this picture by clicking on it and then once again …
A paragon of perfection
The manually wound movement is a masterpiece of micromechanical engineering composed of a total of 686 parts that are lavishly finished by hand. All edges of the steel parts are beveled and each tooth of every steel wheel is polished with a rotating hardwood disk by hand, one by one. This degree of perfection is not an end in itself; it reduces friction at the points where the wheels mesh, thus contributing significantly to the legendary precision and longevity of Patek Philippe watches. The plate and the module with the perpetual calendar are finished with a perlage pattern on both sides, and the bridges are decorated with Geneva striping. Due to the number and complexity of the elaborate processes and stringent rate tests, it takes many months to complete a single movement. The result is a flawless caliber that displays the Patek Philippe Seal on its plate – the most prestigious attestation of quality for top-echelon mechanical movements.
The opus is delivered to its owner in a precious box worthy of being called a treasure chest. It is crafted from rare Macassar ebony with hand-engraved white-gold decorations and accents in blue lacquer. In addition to the unique timepiece, the case also accommodates two hand-engraved cufflinks in 18K white gold with blue lacquer fillings.
Patek Philippe’s Sky Moon Tourbillon Ref. 6002 is a globally unique timekeeping instrument that expands the notion of a grand complication by the aesthetic accolade of a grand creation. It proudly pays homage to the canton of Geneva which has been the home of haute horlogerie for 500 years and of Patek Philippe for 174 years.
Patek Philippe caliber RTO 27 QR SID LU CL
Hand-engraved cufflinks in 18K white gold with blue lacquer fillings
A magnificent piece of Man’s artistry and skill. I would love to wear one of these.
The ultimate piece of Jewellery, I have not worn a watch for the past forty years as they were mostly pieces of over rated junk.
My only concern is that I live in the southern hemispere and the celestial map is for the Northern Hemisphere.
What do I do?
If you buy one PPC will build you the Southern Hemisphere for your watch
An amazing piece of work but I’d be worried about damaging it. Probably meant to be admired in its box or on a winder.
I normally am not a fan of over embellishment, watches included, but this one is stunning imho. It has an excellent balance of elements that harmonize perfectly. Of course the workmanship is above reproach as any Patek Phillippe. Price beyond imagine.
One question though. Outside of very carefully, how does one clean such intricate embellishments? I can just see an Arab oil gazzilionaire wearing this out to inspect the oil fields then coming back with bunches of gunk from dried sweat and such stuck in the reliefs.
Then again, I guess that would add patina, eh? ‘-)
Too much of all. Sorry, but imho this watch is “kitsch”.
An unbelievably beautiful piece! The filigree is fantastic.
Reminds me of earlier pocket Patek watches. I wonder if PP will continue with this case pattern for other watches?
A wonderful “museum piece”. Not really meant to be worn as much as admired.
Just awesome! Outstanding craftsmanship!
But this does not look like a modern watch, in fact this would have been perfect for somebody like Kublai Khan or for some Kings of 16th Century!!!
I like this comment!
A bit over the top, but there is no denying the outstanding craftsmanship that went into creating this spectacular piece.
One of the most bizarre watches I have ever seen. The only people I could imagine wearing it are the Middle East billionaires from Saudi Arabia or Dubai. Technical features make this watch a contemporary masterpiece but it’s looks make it archaic.
Yes, this new version is quite particular. Also not my style, but still one of the most impressive wristwatches I know …
The engineering and craftsmanship are undenyingly spectacular, the only issue is wearability (not that I will ever have one on my wrist to worry about that).The creativeness of all watch companies is just incredible lately, with some of their latest releases one just can not stop wandering. Superb article though Alex, as always greatly appreciated.
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